Friday, November 25, 2016

A quick hat and a pillow

The first hat I made for Norris was as big as the amount of yarn I had (there was maybe a 5 inch tail when I  finished to tie it off) and it was really a bit small, so I knew I needed to make him a better one.  This one uses leftover yarn from the plaid throw I made last year.

Norris says he likes it even though it's a little colorful for his taste.  He does not smile for my camera, but he did agree to model at least:


The pattern was free on Ravely, called the "Strib Hat."  It was a very simple design with a changing rib and stripes for interest.  But I had the first stripe done and Norris said he really prefers his hat to turn back so there are two layers covering his years.  After the first stripe, I essentially knit everything else inside out.

The Strib pattern was designed as a fitted cap, but Norris also likes room at the top of his head for an air pocket as he thinks that provides better insulation.

I knitted that while this next project was being blocked on my quilt design wall.  You get two photos because there are two sides.


I did not intend to make the two sides different, but accidentally switched the yarns I was using as the second contrast color only a few rows into the first side.  The one above is made the way I intended them to show up.  I can't decide which I like better.

This pattern, Ponni Cushion, is by Hazel Tindall - one of the few women who has held the "World's Fastest Knitter" title.  She does not knit "continental" style - touted to be the faster method by many. Seeing her knit on video, it doesn't look very relaxing but listening to her talk while she works, I'm sure she enjoys her knitting.  I had no idea she also designed patterns.  I think they all use Shetland wool.  The yarns I used were a combination of wool and silk, with some colors made of wool and cashmere.  That sounds like it would be soft and comfortable, but the Shetland wool is hard and durable and seems to win in the combination.  I don't think I would use these yarns in something you wear next to the skin.

Back to my pillow, here it is in context on our foyer bench.

That project almost finishes my first level of decorating projects.

Monday, October 31, 2016

Westering Women and the Hexathon is over

My Westering Women block for October - I wanted to emphasize the star points, and have them light colored.  Then I thought I needed a bright fabric for contrast, so the little lattice print came in to the mix, and  seemed to want to be in small pieces. 



The last hexathon block was a complicated one and I only need 25 blocks for my setting.  These are my final three.  You get a sneak peak at my setting fabric with a couple of these - I used these as "leaders and enders" for the Westering Women block, forgetting that I hadn't photographed all the blocks yet.  (The setting fabric on the lower left corner of this one is not yet sewn on, but the block looked sad with a missing corner.)  The hand-dyed fabric is from Vicki Welsh.


I used foundation paper piecing for this block - this set of gradient hand-dyes is also from Vicki.


And my final block - I should try to fix a couple of those Y-seams.  I was running low at this point in the Hexathon!  But I love the combination of Vicki's shibori dyed points and the commercial batik.


With a jump start on the setting of these, I should have this colorful little quilt put together soon.  The Westering Women quilt has two more blocks to go and I don't have a setting plan for them.  My Civil War quilt blocks have been finished for over a year and I do have a setting design and all the fabric purchased.  I just haven't had the motivation to see that quilt finished?

Wednesday, October 5, 2016

Westering Women and Hexathon blocks for September

I just don't upload to the computer as often as I used to - here are my quilting efforts for the block programs for September

The Westering Women block was called "Sage Bud for Fort Laramie."  I thought I was done using that pale blue fabric that makes up the buds, but this one called for it.

 The brown stripe was a shirting fabric I purchased probably in the late 1970's.  I cut a shirt for myself out of it and never made it.  After my mother died, I found the pieces, still pinned to the pattern and took it home and decided to use it for quilting.  This was the first time using it in large pieces - the wrinkles did not iron out of it.  I may simply have to quilt it heavily to disguise it.

And here are four hexathon blocks that I don't have much to say about.  This first one was nice and easy and I think Vicki Welsh's hand dyed stripe makes it exciting: 


I can't really say the "nice and easy" part about these next two, though the second one also benefits from two of Vicki's hand dyes.


This last one though is a variation on one of the earlier blocks and also has Vicki's fabric for two of the three fabrics (the paler blue green was a commerical hand dye).  That particular week's block included a curved applique element, as though laid over the six points of the star shape featured in many of these hexagon blocks and I didn't think it would be all that effective in my brights.  So an easier choice helped me stay current with the program:



HIP HIP HOORAY I recently figured out how to set these colorful blocks!  My original thinking would have had an alternate hexagon or other shape out of a dark dark blue, perhaps flecked with yellow or white or with little stars on it.  But a couple of weeks ago, I helped in a volunteer effort to stuff the goodie bags for the attendees of Quilters Take Manhattan, a fundraising program for the Quilt Alliance that took place late in September.  For my few hours of work, I was rewarded with some of the fabric donations, and after washing them all, the fat quarter piece went up on my design wall to ponder for a different purpose.  Pretty quickly I could see it worked well with these blocks and promptly ordered some more. It's a choice not within my usual style at all, but then, these blocks are also in that category.

Friday, September 16, 2016

Love the cables!

I like cables in quilting, but they are difficult to do well by machine.  On the other hand, cables look wonderful in knitting and are not hard at all.

This sweater was finished at least 6 weeks ago - just didn't photograph and then when I did, I didn't post the pictures. 



This sweater was made from the top down, without any seams - first time I've done one of those.  It has a small applied I-cord to finish the neck, sleeve, and lower hem - first time I've used that technique on anything but my plaid afghan.   There were three varieties of cables, and the way they moved around on the front kept the knitting very interesting.  The pattern, Siesta, by Carol Feller, was free!




The yarn came from Diane's inventory after she closed her big business in Oregon.  I spent a little and got a lot of yarn for my money.  I have projects lined up now that will take me through the next couple of years.


Here's a fun photo only one of my friends seemed to notice on Facebook, combining a quilt and a knit: 

It was the last night of the Shindig when they finally gave the quilt to a ticket buyer from Maryland. Alice is the one behind the quilt and Ann is standing next to her.  Ann's husband Russ took the photo.  We have to plan next year's quilt now - no hand piecing this time!

Tuesday, September 6, 2016

Some catching up with block programs

I got more behind on the Hexathon blocks preparing for my trip to Chicago than I realized.  I finally finished four of these before the pattern for the fifth one came out last week.  Here they are, in whatever order Blogger decided they should be in, which has nothing to do with anything I can figure out.

This one I pieced traditionally.  It's was not easy, though it doesn't have that many pieces.  Lots of scrappy pinks and magentas from that batik scraps collection I was given.


This one I just finished today. It too was traditionally pieced.  It was much easier than the one above.  Those fabrics were hand-dyed by Vicki Welsh.


This next has foundation-paper-pieced triangles so it went together pretty easily in spite of the oddly shaped pieces. The turquoise blue is also from Vicki - the darker is a commercially dyed fabric.


I also foundation paper pieced this block - it was quick and could have used up more batik scraps, but I decided I wanted these turquoises and I didn't have enough of that in the scraps.  The semi-solid is also from Vicki.


I never want to attempt this at 8 inches again. The gray fabrics around the star were batik scraps, the other colored fabrics are from a selection of batik fat quarters Joyce gave me. I decided to try my hand at a color concept I read about years ago.  I think I got what I was going for, though you can't see it in this photo - the yellow is really much brighter than it appears.  And though this is far from perfect, some of what appear to be wrinkles are actually just the prints.


Ready to see what next week brings, I went back through all the old posts on Barbara Brackman's blog and wrote down the options for simpler blocks she gave us with some of those - I'm going to try to be more sensible than to do this sort of block again!

And finally, there was a nice 12 inch block for the Westering Women project.  This is called Chimney Rock.  I decided to use the medium gray fabric to look rocky - it will give me a place to quilt but looks a little sad in the corners with the snazzy stripes.  Lots of Y seams in this block, but at this scale, the piecer has a little wiggle room.


Friday, August 26, 2016

A long time finishing

My friend Sherrye told me that several years ago, her husband's step-mother had left an unfinished quilt that Sherrye wanted to see finished so it might do someone some good.  Sherrye is a hand quilter, but this type of quilt doesn't really benefit from hand quilting, and if it's going to be a donation, machine quilting will withstand any kind of abuse a non-quilter might put it through in the washing machine.  The quilt was a "Stack n Whack", completely pieced and pinned to a batting and backing, but not quilted.  I had her come over this week to use my longarm machine to get the quilting done.

Sherrye went from being intimidated by the sheer size of the machine to having these butterflies completely quilted in about three hours - I say "about" because we stopped for lunch and didn't time our break.  We did unpin the layers before starting, and Sherrye got a few minutes to practice on some muslin while I got the backing ready to load on the machine.


The quilting was as simple as it gets, with a large overall meander pattern, but that made it easy to avoid the thick intersections where the fabric pieces come together in the hexagon shapes. 

 Sherrye thinks she'd like the quilt to go to the local Hospice group.

Wednesday, August 24, 2016

Poets and Writers

When I was about done making the Austen Family Album blocks, my niece Jenn showed up on a visit and asked to see them.  She's a more recent convert to quilting and hadn't tackled any piecing as complicated as in some of those blocks.  While she was admiring them I asked if she'd like the quilt - she said she would.

After they left, I sent a note to her husband - what are Jenn's favorite colors?  He named at least five, maybe six or seven but blue was not on the list.  So to make the quilt more useful to Jenn, I worked to design a setting for the block that used colors that were.

So my Blue and Yellow blocks are now set in a Green and Gray quilt -

 (My quilt stand is broken, so that's as high as I can hang a quilt without an assistant to hold up one side.)

Here's a view of it on the bed in the guest room.  It's a queen sized quilt on a queen size bed.

I took the quilt with me on my recent visit to my father in suburban Chicago.  Jenn stopped by after work and got to see the quilt for the first time.  It wasn't exactly a surprise, but she had no idea what the finished quilt would look like.  She seemed very happy with the "new" colors - noting that my striped binding with black, gold, green and blue stripes picked up the colors of the new curtains in her newly painted bedroom.

Here are a couple of closeup shots - 




This next one shows the quilting in the large setting triangles.  They are large.  I wanted a lot of the green fabrics, so basically I created a design based on really large blocks set on point - that set each block into some fairly large pieces of green or yellow with a light gray or white (it all looks pretty white here, but the blocks with large yellow squares have a light gray fabric for the triangle.  The fanciest quilting is in the large gray setting triangles around the outside.
 
One more photo to show some of the quilting in the blocks - The quilting is mostly outline stitching with a few embellishments and those big curving lines that create an orange-peel like motif where the on-point blocks come together.  I did not quilt this very densely - it should be a comfortable quilt to sleep under, with a wool batt.

I called it "Poets and Writers":  Jenn may be a newish quilter, but she has long been an author and poet, and is recently reading her poetry in public, and has published a book of her poems. You can find some of her writing and poetry, and a link to her newly published book on her blog at this link:  https://jenmaypoems.com/  I liked that this quilt, inspired by the life of beloved author Jane Austen, should now be Jenn's.

Tuesday, August 9, 2016

Cable-collar Sweater, take 1

I finished this at the end of May - why did it take me so long to post photos?

The yarn and the collar is what makes this little sweater, by Norah Gaughan in Vogue Knitting Spring/Summer 2011. 


The yarn is a dyed cotton twisted with undyed linen.  The collor looks a little heavy in this next photo, but it's not.
This one is Take One because I'm making one just like it, except 3 inches longer, for Joyce.  I finished another sweater in between, but haven't photographed it yet.  I guess I'm just a lazy blogger these days. But I'm knitting as much as ever!

Tuesday, August 2, 2016

Hexathon Blocks 12 and 13 -

Unlike some of the group, I'm not using the names of the blocks or the descriptions of William Morris to guide my fabric choices, I'm just trying to get the blocks made with this mix of very colorful fabrics, and to include either the solid yellow or a fabric with yellow.  Here are the two latest blocks.

This first block was pretty intimidating, so I used foundation paper piecing - and did not get the last couple of intersections lined up as I should have.  I might or might not try to fix that.  The fabrics are busy and these pieces are tiny.


The second block for this week was far simpler to construct.  The only challenge was to choose a pair of fabrics I liked together - deciding not to use the solid yellow this time.


Sunday, July 17, 2016

Hexathon blocks

Paraphrasing one of those letters I recently transcribed, I'm just not as good at keeping up with the blog "as I used to was"  Here are the last three of these hexagon blocks.  This one used a couple of fabrics Joyce gave me for Christmas over a year ago and a little scrap of a yellow printed batik.


This one used three of the small scraps from friends -


And the last one was more of the fabrics from Joyce

None of these were too awfully hard to piece - the second and third had no "y" seams and the first had only one.  Our leader keeps warning us there are some challenges ahead.

Hmm, I seem to have reoriented some of the blocks when I photographed them. No matter - none are directional.